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Elephant Shoes
Elephant Shoes is a 100-minute two act drama (without an intermission). But can include an intermission.
It is a powerful play about family, truth, and the cost of staying silent. Set in a working-class town, it follows two young people on the edge of adulthood as long-held secrets about parentage and belonging begin to surface. As parents struggle with guilt, fear, and emotional distance, the next generation must decide whether honesty will set them free or tear their families apart. Intimate, funny, and raw, the play explores what it means to grow up when the past refuses to stay buried, and how love can survive even the heaviest truths.
The play follows the intertwined lives of two teenagers—Thomas, a studious dreamer aspiring to be an actor, and Sarah, a struggling student uncertain about her future—as they navigate the final months of high school, unaware that their families share a hidden past.
While the teens wrestle with dreams, pressures, and friendship, long-buried secrets among their parents threaten to upend everything. For Thomas, an explosive revelation about his true parentage forces him to question identity, loyalty, and truth. For Sarah, the absence of a father shapes her self-worth—until she begins a journey to uncover who he is.
The story spans five years, from the lead-up to final exams to a heartfelt reunion after Thomas returns from chasing his acting dreams in America. The climax unfolds in a hospital, where tragedy and truth collide, revealing connections that change both families forever. Themes of love, secrecy, identity, and forgiveness underscore the narrative, blending humour, poignancy, and hope.
In Her eyes
In Her Eyes is a 100-minute play that is an intimate domestic drama that explores love, trust, and the meaning of family. The play begins with newlyweds Michael and Emily eagerly awaiting the arrival of their first child. They imagine a picture-perfect life together, full of joy and security. But as years pass, cracks begin to appear in their marriage when Michael notices that their daughter, Olivia, shares none of his physical traits.
What begins as a quiet insecurity, spirals into an emotional storm. Michael’s doubt grows into obsession, culminating in accusations of infidelity that devastate Emily. Their once-loving relationship fractures as mistrust takes root. Determined to uncover the truth, Michael secretly orders a paternity test—only to discover a shocking revelation: Olivia is not his biological daughter.
The twist deepens when further testing proves Olivia is not Emily’s child either. The couple learns of a heartbreaking hospital mix-up that placed another woman’s baby in their arms. Faced with the unimaginable, Michael and Emily must decide what defines parenthood—biology or love.
Their search for their biological daughter uncovers another painful truth: the girl has lived a hard life in foster care. In a powerful and emotional resolution, the couple chooses to embrace both children, reaffirming that family is not about shared DNA but shared devotion.
In Her Eyes is a poignant, layered story about identity, loyalty, and unconditional love. It questions whether blood truly makes a family—or whether love, sacrifice, and resilience matter most.
Banjo and Henry is a play based on the lives and works of Banjo Paterson and Henry Lawson. The play is set in two acts with an intermission. The running time of the two acts runs to around 100 minutes. This does not include the time of the intermission.
The play is based on facts around both of their lives. There are many aspects, that due to the time in which they lived, the exact details are not known. For this reason, where there is a lack of evidence or credible information, the text has been created for dramatic purposes.
Banjo and Henry explores one of the most influential — and revealing — rivalries in Australian literary history. At its heart are two writers whose words helped shape how a young nation imagined itself, and whose differences still echo in Australian culture today.
The play is a dramatic imagining of lives shaped by success, failure, loyalty, and loss. It asks us to look beyond the myths that surround national figures and to consider the human cost of becoming symbols.
More than a story about poets, this is a story about Australia at a turning point — a society searching for its voice, torn between romance and realism, optimism and hardship. Those tensions remain familiar today.
The play does not ask you to choose a winner. Instead, it invites you to listen closely to both — and to reflect on whose stories we celebrate, whose we overlook, and why.
The play begins at the start of their literary writing for the Bulletin and the journey that was undertaken by both men as a result of their profile being lifted to a national stage. It covers love, loss, marriage, heartbreak, alcoholism and dependence, and how both men struggle to cope with notoriety for almost four decades.